{"id":19408,"date":"2023-10-21T14:33:05","date_gmt":"2023-10-21T12:33:05","guid":{"rendered":"https:\/\/www.radiorocksv.eu\/?p=19408"},"modified":"2023-10-23T10:19:40","modified_gmt":"2023-10-23T08:19:40","slug":"nita-strauss-prehovorila-o-spolupraci-s-marty-friedmanon-na-jej-skladbe-surfacing","status":"publish","type":"post","link":"https:\/\/www.radiorocksv.eu\/index.php\/2023\/10\/21\/nita-strauss-prehovorila-o-spolupraci-s-marty-friedmanon-na-jej-skladbe-surfacing\/","title":{"rendered":"NITA STRAUSS prehovorila o spolupr\u00e1ci s MARTY FRIEDMANON na jej skladbe &#8222;Surfacing&#8220;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">V novom rozhovore <strong>Nita Strauss<\/strong>&nbsp;hovorila o svojej spolupr\u00e1ci s b\u00fdval\u00fdm&nbsp;gitaristom&nbsp;<strong>MEGADETH&nbsp;Martym Friedmanom<\/strong>&nbsp;na piesni&nbsp;\u201e&nbsp;<strong>Surfacing\u201c<\/strong>&nbsp;z jej druh\u00e9ho s\u00f3lov\u00e9ho albumu&nbsp;<strong>\u201eThe Call Of The Void\u201c<\/strong>&nbsp;a&nbsp;povedala:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> &#8222;<em>Prv\u00e1 heavymetalov\u00e1 piese\u0148, ktor\u00fa som kedy v \u017eivote po\u010dula, bola piese\u0148\u00a0<strong>MEGADETH<\/strong>\u00a0s\u00a0<strong>Martym Friedmanom<\/strong>\u00a0hraj\u00facim na gitare. A to bol skuto\u010dne m\u00f4j \u00favod do heavy metalu, do \u0161t\u00fdlu hudby, ktor\u00fa tak ve\u013emi milujem. A potom, samozrejme, v priebehu rokov som objavila\u00a0s\u00f3lov\u00fa hudbu\u00a0<strong>Martyho Friedmana <\/strong>a v\u0161etko ostatn\u00e9. A tak ke\u010f pri\u0161iel \u010das nap\u00edsa\u0165 t\u00fato nahr\u00e1vku, nechcela som spolupracova\u0165 s mnoh\u00fdmi gitarov\u00fdmi hr\u00e1\u010dmi, preto\u017ee som u\u017e mala ve\u013ea spolupr\u00e1c s vokalistami. Ale pomyslela som si: &#8218;Ak\u00e9 skvel\u00e9 by bolo vr\u00e1ti\u0165 sa sp\u00e4\u0165 do minulosti a ma\u0165 \u00faplne prv\u00e9ho heavymetalov\u00e9ho gitaristu, ak\u00e9ho som kedy po\u010dula.&#8216;\u00a0A tak sme oslovili\u00a0<strong>Martyho<\/strong><\/em>.&#8220; <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nita<\/strong> pokra\u010dovala: &#8222;<em>Pr\u00e1ca s n\u00edm bola jednoducho \u00fa\u017easn\u00e1. Je ve\u013emi praktick\u00fd. Ve\u013emi mu z\u00e1le\u017e\u00ed na piesni, aran\u017em\u00e1ne, piesni ako celku, nie len na jeho jednej \u010dasti, ale na celej piesni, produkcia, hra na basu, hra na bicie \u2014 proste v\u0161etko. Bol do toho ve\u013emi zapojen\u00fd, \u010do bola pre m\u0148a skvel\u00e1 sk\u00fasenos\u0165, ke\u010f som sa nau\u010dila, ako rob\u00ed veci ve\u013ek\u00fd <strong>Marty Friedman<\/strong><\/em>. <em>T\u00e1to spolupr\u00e1ca bola pre m\u0148a mlad\u00fa gitaristku s majstrom skvelou v\u00fdchovou<\/em>.&nbsp;\u201c<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img decoding=\"async\" width=\"960\" height=\"540\" data-src=\"https:\/\/www.radiorocksv.eu\/wp-content\/uploads\/2023\/10\/image-41.png\" alt=\"\" class=\"wp-image-19409 lazyload\" data-srcset=\"https:\/\/www.radiorocksv.eu\/wp-content\/uploads\/2023\/10\/image-41.png 960w, https:\/\/www.radiorocksv.eu\/wp-content\/uploads\/2023\/10\/image-41-300x169.png 300w, https:\/\/www.radiorocksv.eu\/wp-content\/uploads\/2023\/10\/image-41-768x432.png 768w\" data-sizes=\"(max-width: 960px) 100vw, 960px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 960px; --smush-placeholder-aspect-ratio: 960\/540;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;<em>Spolu sme doladili cel\u00fd koncept. Poslal som mu nieko\u013eko riffov a potom mi poslal sp\u00e4\u0165 t\u00fato bl\u00e1zniv\u00fa pesni\u010dku s vlastn\u00fdmi n\u00e1padmi. Zauj\u00edmav\u00e9 je, \u017ee ned\u00e1vno som od neho \u010d\u00edtala cit\u00e1t, v ktorom bolo nie\u010do ako: &#8222;Nita sa neboj\u00ed&nbsp;tvrdej pr\u00e1ce,&#8220; s odkazom na to, ako sa t\u00e1to piese\u0148 sa menila tam a sp\u00e4\u0165. Chcela som, aby ma kritizoval.&#8220;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V s\u00favislosti s t\u00fdm, ak\u00fa radu jej dal&nbsp;<strong>Marty<\/strong>,&nbsp;<strong>Nita<\/strong>&nbsp;povedala: &#8222;<em>Povedal mi, ako by som mohla vylep\u0161i\u0165 mel\u00f3die a ak\u00e9 noty by som mal pou\u017ei\u0165 namiesto t\u00fdch, ktor\u00e9 som si p\u00f4vodne vybrala. Odoslal mi strany s podrobn\u00fdmi pozn\u00e1mkami a prostredn\u00edctvom toho som sa nau\u010dila, \u017ee mus\u00edte vedie\u0165, ak\u00fd je v\u00e1\u0161 pr\u00edbeh a \u010do sa sna\u017e\u00edte poveda\u0165 alebo vyjadri\u0165. Vyberte si fr\u00e1zy, ktor\u00e9 v\u00e1m pom\u00f4\u017eu rozpr\u00e1va\u0165 pr\u00edbeh. Odolajte poku\u0161eniu pou\u017ei\u0165 svoje piesne na predvedenie svojich najr\u00fdchlej\u0161\u00edch riffov.  Ide sk\u00f4r o posolstvo hudby ne\u017e o kopu n\u00f4t, ktor\u00e9 m\u00f4\u017eete hra\u0165 r\u00fdchlo jednu za druhou.<\/em>&#8222;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nita<\/strong> <strong>Strauss<\/strong>&nbsp;vydala album&nbsp;<strong>&#8222;The Call of the Void&#8220;<\/strong>&nbsp;v j\u00fali prostredn\u00edctvom&nbsp;<strong>Sumerian Records<\/strong>&nbsp;.&nbsp;Album je hviezdnou z\u00e1le\u017eitos\u0165ou, v ktorej hos\u0165uj\u00fa vok\u00e1ly od&nbsp;<strong>Davida Draimana<\/strong>&nbsp;z&nbsp;<strong>DISTURBED<\/strong>&nbsp;,&nbsp;<strong>Alissy White-Gluz<\/strong>&nbsp;z&nbsp;<strong>ARCH ENEMY<\/strong>&nbsp;,&nbsp;<strong>Lzzy Hale<\/strong>&nbsp;z&nbsp;<strong>HALESTORM<\/strong>&nbsp;,&nbsp;<strong>Chrisa Motionlessa<\/strong> z&nbsp;<strong>MOTIONLESS<\/strong>&nbsp;<strong>IN WHITE<\/strong>&nbsp;,&nbsp;<strong>Andersa Frid\u00e9na<\/strong>&nbsp;z&nbsp;kapely<strong> IN FLAMES<\/strong> a \u010falej <strong>Dorothy Martin<\/strong>&nbsp;,&nbsp;<strong>Alice Cooper<\/strong>&nbsp;a&nbsp;<strong>Lilith Czar<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"NITA STRAUSS - Surfacing (Feat. MARTY FRIEDMAN)\" width=\"640\" height=\"360\" data-src=\"https:\/\/www.youtube.com\/embed\/_TW4fhJyoKY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>V novom rozhovore Nita Strauss&nbsp;hovorila o svojej spolupr\u00e1ci s b\u00fdval\u00fdm&nbsp;gitaristom&nbsp;MEGADETH&nbsp;Martym Friedmanom&nbsp;na piesni&nbsp;\u201e&nbsp;Surfacing\u201c&nbsp;z jej druh\u00e9ho s\u00f3lov\u00e9ho albumu&nbsp;\u201eThe Call Of<\/p>\n","protected":false},"author":1,"featured_media":13925,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-19408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-clanok"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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